In the exhibition "From home to park", artist Duong Thuy Duong installs the public to walk in each carriage on a creative journey spanning 15 years (2009 – 2024), from pencil sketches, watercolors, to oil paintings.

The development of her features and arrays is stepped, wild, like a cold violin key, uneasy in the middle of the night. Picture frames are window frames that open the viewer to the moment and fake. A Madonna with a vanishing baby in her arms. This penmanship also appears in Agnes in The Elevator or The Holly 2, when the image is destructured, dissipated into lines like hundreds of tangled rhyming strings, except that its symbolism remains only in the contour. Faceless portraits. The chaos then touches the purity. The ego goes from self-opposition to self-affirmation.